IN GOOD COMPANY
, 11 DECEMBER 2019 - 15 FEBRUARY, 2020
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 | Marie Le Lievre Seer's Knife (Tray), 2018 oil and graphite on canvas, 1000 x 1000mm |
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 | Claudia Jowitt Talitali I, 2017 acrylic with leather offcuts, cotton cord and moulded acrylic forms on panel mounted woven jute, 200 x 200 mm |
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 | Helen Calder Yellow Slip, 2016 acrylic paint on ply laminate, 155 x 93 mm |
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 | Kelcy Taratoa Aro Transcending the Ambiguity of Existence, 2019 acrylic on canvas, 1190 x 840 x 36mm |
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 | Mary-Louise Browne There will be an answer, 2018 printed satin, 1700 x 1300 |
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 | Tracy Keith Whenua Vessel #4, 2019 Raku fired ceramics, 320 x 320 x 200 mm |
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 | Tracy Keith Tube, 2019 Raku fired ceramics, 270 x 330 mm |
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 | Roger Mortimer Karori, 2019 watercolour, gold dust and acrylic lacquer on canvas, 1120 x 1220 mm |
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 | Hamish Coleman Things I Needed Yesterday, 2019 oil on linen, 1223 x 1223 mm |
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 | Anne Noble Dead Bee Portrait #2, 2015 pigment on Canson Baryta paper, 260 x 350 mm |
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 | Anne Noble Dead Bee Portrait #11, 2015 pigment on Canson Baryta paper, 260 x 350 mm |
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 | Kelcy Taratoa Stop making Sense, 2019 acrylic on canvas, 1190 x 840 x 36mm |
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 | Marie Le Lievre Minx's (Table), 2019 oil, graphite and charcoal on canvas, 910 x 910 mm |
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 | Hamish Coleman Talk to the Weatherman, 2019 oil on linen, 505 x 505 mm |
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 | Kelcy Taratoa Poutama Pungo ki te Wāhi Ngaro, 2019 acrylic on canvas, 450 x 450 x 6.5mm |
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 | Ann Shelton The Ingenue, Yarrow (Achillea sp.), 2016 pigment print, 1119 x 840 mm |
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