size: 840 x 1240 mm (diptych)
media: acrylic with Fijian vau, cotton cord, linen and vinyl offcuts, tuangi (cockle) shells from Pakiri and kina shell from Te Arai Point on linen
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Exhibitions by Claudia Jowitt
7 november - 1 december, 2018
melbourne art fair 2018
danica chappell, helen calder, lonnie hutchinson, claudia jowitt 1-5 august, 2018
claudia jowitt and ruth thomas edmond
27 september - 28 october 2017
south of north
10 august - 3 september 2016
mary-louise browne, maria colls, claudia jowitt, kazu nakagawa
just the right white
3 - 27 february 2016
Claudia's richly textured and layered paintings in pearlescent pastels seem to test the limits of what paint can do. Here all sorts of tools and kitchen implements -- from icing bags and decorator tips to tile grouting combs -- are employed to squeeze, mould and push oil and acrylic paint into distinctive surfaces that are almost sculptural reliefs.
Challenging mid-century, modern, masculine notions of pure painting with all its disdain for the decorative, Claudia's paintings are a feminine and feminist reclaiming of luscious surface. Notions of purity are also subverted with the inclusion of found elements, which speak to location and identity. Reflecting her partial Fijian heritage, several of the works incorporate masi (Fijian tapa cloth), magimagi (coconut husk cord) and shell as well as plant, stone and leather.
Claudia completed a Master of Fine Arts at the University of Auckland in 2015. In 2016, she was the inaugural Tautai Pacific Arts Trust Artist in Residence at the Dunedin School of Art. She has been exhibiting since completing her undergraduate degree at AUT in 2009 and has works in the University of Auckland and Wallace Collections as well as many private collections.
Delicate but demanding, cool but hot. Some of the best painting you are likely to see in 2016. -- art writer Warwick Brown on Claudia Jowitt's work.